Daisy Nam is the executive director and curator at Ballroom Marfa, a contemporary art space located in Far West Texas dedicated to supporting artists through residencies, commissions, exhibitions, and performances. Previously from 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University. Prior, from 2008–2015, she produced seven seasons… Read more »
Dr. Rosanna Flouty is Director of NYU’s Museum Studies program at the Graduate School of Arts and Sciences and Clinical Associate Professor. She holds over twenty-five years of museum experience, including at The Institute of Contemporary Art/Boston, Art21, BMW Guggenheim Lab and the Solomon R. Guggenheim Museum in New York. She has also completed year-long… Read more »
Narayan Khandekar is the Director of the Straus Center for Conservation and Technical Studies and the Director of the Center for Technical Studies of Modern Art at the Harvard Art Museums, and Lecturer on the History of Art and Architecture, Harvard University. He received a Ph.D. in organic chemistry from the University of Melbourne and… Read more »
Andrea R. Hanley is the chief curator at the Wheelwright Museum of the American Indian in Santa Fe, New Mexico. She is dedicated to the work of contemporary Native American artists and the Native American fine art field. Over thirty years of experience in the field including National Museum of the American Indian, Smithsonian Institution,… Read more »
Jay Krueger received a BFA in Printmaking and a BA in Art History from Washington University in St Louis, and an MA with a certificate of advanced study in painting conservation from the State University of New York, Cooperstown Graduate Program. In 1992, Mr. Krueger was appointed senior conservator of modern paintings at the National Gallery of… Read more »
Richard Cándida Smith is Professor Emeritus of History at the University of California, Berkeley. He has published seven books and over forty essays in publications from the United States, Brazil, Mexico, Spain, France, the Netherlands, and Britain. His work has explored arts and literary networks, movements, and institutions in the United States, with an emphasis… Read more »
Steven O’Banion is the Director of Conservation at Glenstone, responsible for comprehensively addressing the conservation needs of Glenstone’s collection. Steven graduated from Middlebury College with a major in Biochemistry and a minor in the History of Art and Architecture. After completing pre-program internships at the Museum of Modern Art, the New York City Department of… Read more »
Yasmeen Siddiqui is the founding director of Minerva Projects, an independent art press whose objective is to cultivate writing about the visual arts through an interdisciplinary and literary lens. In tandem with this work, Siddiqui lectures, writes, and edits; having her work published in artist and exhibition catalogues, as well as on Hyperallergic, and in ART… Read more »
Alison Gilchrest is the inaugural Director of Applied Research and Outreach at Yale’s Institute for the Preservation of Cultural Heritage (IPCH). In this role, she facilitates sustained research and training partnerships between IPCH and communities of practice, with an emphasis on collaborations outside of North America and Europe. Prior to arriving at Yale, Alison was… Read more »
Kate Lewis is the Agnes Gund Chief Conservator at The Museum of Modern Art in New York. Previously she held the position of Media Conservator at MoMA, focusing on the conservation of audio, performance, software, video and film-based works, and from 2005-2013 acted as Time-based Media Conservator at Tate in London. Lewis holds an M.A. in the… Read more »
Leonardo Drew is an artist known for creating reflective abstract sculptural works that play upon the dystopic tension between order and chaos, recalling Post Minimalist sculpture that alludes to America’s industrial past, as well as the plight of African Americans throughout U.S. history. One could find many meanings in his work, but ultimately the cyclical… Read more »
Gloria Sutton is Associate Professor of Contemporary Art History and New Media at Northeastern University in Boston. Her scholarship analyzes the ways durational media have shaped the reception of visual art since the 1960s. She received her doctorate from the University of California Los Angeles and has been a fellow at the Getty Research Institute…. Read more »